The good news is that the key to successful small-space living might be easier than you think. It all boils down to tricking the eye into perceiving more space by employing three simple concepts: scale, light, and movement.
Furniture for the small space is all about proportions. Simply put, if a piece brushes up against the boundaries of the room, either up and down or sideways, it’s too large. To create a sense of roominess, always leave a little air in between the sides of your furniture and the walls. (The one exception is a bed; a queen placed between two walls, for instance, creates a cozy sleeping cave.)
Also avoid heavy, weighty pieces that eat up too much of the usable space in the room. For example, a sleek sofa or chair will give you as much sitting room as its overstuffed cousin but will take up much less of your room. If you long for a large, statement piece (a piece of art or mirror), hang it on the wall. Don’t consume valuable living space by putting it on the floor.
2. Keep a low profile.
Furniture that is lower to the ground will create a feeling of openness in a room simply by the fact that they leave more space above them. Above:Designer Michaela Scherrer’s bed feels spacious even though the bed takes up most of the room. That’s because both her bed and the art on the walls are positioned toward the lower half of the room, leaving the upper half virtually empty. The single bulb hanging from the ceiling also serves to emphasize the height of the room. Photograph by Matthew Williams from Remodelista: A Manual for the Considered Home.
3. Show a little leg with lithe furniture.
Above: The Hudson Valley retreat of Workstead’s Robert Highsmith and Stefanie Brechbuehler is short on space and long on charm. To maximize the sense of light and air, the design duo employed leggy and lithe furniture and fixtures. Photograph by Matthew Williams from Remodelista: A Manual for the Considered Home.
Again, creating the illusion of more space is all about creating a sense of openness and movement. Furniture that is streamlined allows light and air to flow not just over but also under and around it, so that it appears to float in space. Again, think midcentury modern pieces, which are both low and leggy. Or consider the perfect piece of soaring furniture: the butterfly chair. (See Object Lesson: The Classic Butterfly Chair.)
Above: In her London living room, Remodelista’s Christine Chang Hanway creates an open feel by employing mid century furniture that allows light from the generous windows to flow through the room. Photograph by Kristen Perers for Remodelista.
Any discussion of small spaces needs to include the idea of using mirrors to create a greater sense of openness. Not only do they reflect light, they also reflect the view, thereby tricking the eye into perceiving more space.
5. Ditch the drapes (and rugs).
Above: In their Hudson Valley living room, Robert Highsmith and Stefanie Brechbuehler of Workstead maximize a sense of space by using leggy, low-profile furniture and fixtures as well as a mirror over the couch. They also keep the space looking uncluttered by ditching the drapes and the rug. Photograph by Matthew Williams from Remodelista: A Manual for the Considered Home.
As we saw with mirrors, it’s all about tricking the eye. Curtains stop the eye from taking in the view outside, even if they don’t cover the whole window. And drapes and curtains just add more “stuff” to the room. Eliminating them keeps the space simple. If you want privacy, consider shutters or lightweight mesh or cloth blinds. Or if curtains are a must for you, use a bar that extends far beyond the window frame, so you can fully expose the window.
Ditto rugs. Cast your eye over all the small spaces in this article. Note how few have rugs or, if they do, how simple and minimal they are.
Above: In my own Cape Cod cottage, note how with the absence of curtains, the eye is drawn right through several rooms and out the window beyond. Photograph by Justine Hand for Remodelista.
We all know of white’s reflective qualities. It opens up a room, making it feel airy and light, calm and serene. Painting the walls and ceiling the same shade of white only enhances this cloud-like effect. And it serves to blur the boundaries between wall and celling, causing your eye to travel up, essentially making the ceiling seem higher. Finally, in small spaces that can quickly become cluttered looking, white is a good choice because it simplifies a space and emphasizes the architecture. (That’s why architects love it so much. See 10 Easy Pieces: Architect’s White Paint Picks.)
If you’re worried that an all-white space will feel too cold, then pair it with warming elements such as wood, or textured elements, such as a shaggy wool throw. And remember that you don’t have to choose a stark white. (See Remodeling 101: How to Choose the Perfect White Paint.)
Whether it’s a tall shelf, some vertical shiplap, or the bare hanging bulb we saw in Michaela Scherrer’s bedroom above, employing one element that emphasizes the vertical space in the room will increase the sense of openness. It also enhances the feeling of movement and flow.
Above: In her wee bath, clothing designer Dagmar Daley ditched her curtains, used all white to maximize the sense of light and air, and she used vertical elements, wainscoting and a shower curtain, to emphasize the height of the room. Photograph by Matthew Williams fromRemodelista: A Manual for the Considered Home.
8. Emphasize the horizontal.
Above: In this bedroom, designer Tiina Laakonen ran horizontal shiplap right up the walls and ceiling. The effect is a seamless transition from wall to ceiling that emphasizes the height and the width of the room. Note also that the curtains are pushed to the side to frame the view. Photograph by Matthew Williams from Remodelista: A Manual for the Considered Home.
It all boils down to creating a sense of movement. Like the leggy furniture that creates a sense of dynamism, or the mirrors that reflect light and a view back into the room, anything that causes your eye to travel around a room in an intentional and orderly fashion will make it feel larger. (I say “international and orderly” because a cluttered room with lots of distracting elements will also cause your eye to travel, but in a haphazard fashion.
When dealing with a small room, one naturally wants to maximize the space by pushing all the pieces to the edges. But if this causes you to bump into things, it can enhance a claustrophobic feel. Sometimes it is better to group the furniture on one side of the room, so people can pass through unhindered.
Small spaces are all about editing. The more pieces, possessions, and patterns you have in a room, the more cluttered it will feel. Avoid too many knick knacks or at least group them so they read as an installation. Ditto with art; concentrate your framed pieces on one or two walls. Avoid busy patterns and overwhelming colors. Or, if you absolutely must have that William Morris–esque wallpaper, consider placing it on one accent wall. Same with color, try painting just one wall or a door and stick to a single shade. Now is not the time to embrace the whole spectrum.
The bottom line is you need to be strict with yourself (actually, this concept applies to all spaces) and intentional about everything that goes into the room. If you go for the wallpaper accent wall, then keep the rest of the room simple. If you need that huge oil painting in your living room, try having it be the only art in the room.
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